In her exhibition at the Secession, Emily Wardill debuts her most recent film project, Night for Day (2020), an installation of film and sculptures that weave into one another, and the film I gave my love a cherry that had no stone (2016). For Night for Day (2020), Wardill constructs a feigned mother-son relationship.

Concept: Emily Wardill Texts: Marta Kuzma, Kerstin Stakemeier Text excerpts: Isabel do Carmo, Luigi Ghirri, Isabel Lindim, Sofia Ferreira, Alexander Kluge, David Mourão-Ferreira, Hanna Proctor Secession 2020 Distribution: Revolver Publishing . A dummy for a book, faded on one side as though it were left outside for a summer and became two tone.

Helsinki, Finland. November 2019. https://kohta.fi/exhibition/emily-wardill/. Artist: Emily Wardill Venue: Secession, Vienna Exhibition Title: Night for Day Date: September 18 – November 8, 2020 Curated By: Annette Südbeck Click here to view slideshow. Full gallery of images, press release and link available after the jump. Emily Wardill: Night for Day September 18–November 8, 2020 Secession Friedrichstraße 12 1010 Vienna Austria Hours: Tuesday–Sunday 2–6pm T +43 1 587530710 F +43 1 587530734 presse [at] secession [dot] at www.secession.at Night for Day .

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Exhibition Title: Night for Day. Date: September 18 – November 8, 2020. Curated By: Annette Südbeck. Click here to view slideshow. Full gallery of images, press release and link available after the jump.

Slections Arefin and Arefin : the graphic design of Tony Arefin / texts by Emily King the secession movement in photography in Britain, 1892-1910 / Margaret Harker. W37 A4 2010 709.2 22 Ibz Wardill, Emily kssb/8 Wardill, Emily art We are 

Emily Wardill shows her newest film project for the first time – in “Night for Day,” she depicts a feigned relationship between mother and son, between a revolutionary resistance fighter and techno-utopians in Portugal. »Felt«, the title of one of the works in Emily Wardill’s installation, is not just the material that covers one half of the floor in the first and most of the walls in Secession’s three room basement – themselves covered with slashes of nearly black paint made up of red, blue and yellow – but also as the past participle of the verb feeling points to a matter of attuning. Emily Wardill (född 1977 i England, bor i Portugal) har inte tidigare ställt ut i Finland, men hon är välkänd i det europeiska konstlivet.

Wardill's work has been exhibited in solo shows including Secession (2020) Kohta,Helsinki (2019) Bergen Kunsthall (2017), Gulbenkian Project Spaces ( 2017), 

1977) lives and works in Lisbon, Portugal and Malmö, Sweden. Wardill’s work has been and will be exhibited in solo shows including Secession (2020); Kohta (2019); Bergen Kunsthall (2017); Gulbenkian Project Spaces (2017); INDEX, Stockholm (2014); National Gallery of Denmark, Copenhagen (2012); de Appel Arts Center, Amsterdam (2012); and Contemporary Art Museum St Louis (2011). Vienna Secession, Vienna, Austria.

Den brittiska konstnären Det handlar om teman som hon nyligen visat bland annat på Wiener Secession.
Grängesbergs gruva historia

For Night for Day (2020), Wardill constructs a feigned mother In her exhibition Night for Day at the Secession, Emily Wardill debuts her most recent film project, an installation of film and sculptures that weave into one another, and the film I gave my love a cherry that had no stone (2016). For Night for Day (2020), Wardill constructs a feigned mother-son relationship. Wardill’s work has been exhibited in solo shows including Secession (2020) Kohta (2019) Bergen Kunsthall (2017), Gulbenkian Project Spaces (2017), INDEX, Stockholm (2014), The National Gallery of Denmark, Copenhagen (2012); de Appel arts centre, Amsterdam (2012); The Contemporary Art Museum St Louis (2011) List Centre MIT Boston and ICA, London (2007–08).

Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, In her exhibition Night for Day at the Secession, Emily Wardill debuts her most recent film project, an installation of film and sculptures that weave into one another, and the film I gave my love a cherry that had no stone (2016). For Night for Day (2020), Wardill constructs a feigned mother Wardill’s work has been exhibited in solo shows including Secession (2020) Kohta (2019) Bergen Kunsthall (2017), Gulbenkian Project Spaces (2017), INDEX, Stockholm (2014), The National Gallery of Denmark, Copenhagen (2012); de Appel arts centre, Amsterdam (2012); The Contemporary Art Museum St Louis (2011) List Centre MIT Boston and ICA, London (2007–08).
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18. Sept. 2020 In ihrer Ausstellung "Night for Day" in der Secession zeigt Emily Wardill erstmals ihr neustes Filmprojekt – eine Installation, für die sie den Film 

November 2019. https://kohta.fi/exhibition/emily-wardill/. Artist: Emily Wardill Venue: Secession, Vienna Exhibition Title: Night for Day Date: September 18 – November 8, 2020 Curated By: Annette Südbeck Click here to view slideshow. Full gallery of images, press release and link available after the jump.